The Grammar of Carnatic Music - 8 Angebote vergleichen
Preise | 2013 | 2014 | 2015 | 2016 | 2019 |
---|---|---|---|---|---|
Schnitt | € 113,55 | € 159,95 | € 160,49 | € 175,01 | € 137,40 |
Nachfrage |
1
The Grammar of Carnatic Music (2007)
DE NW EB
ISBN: 9783110198881 bzw. 3110198886, in Deutsch, De Gruyter Oldenbourg, neu, E-Book.
Lieferung aus: Schweiz, Sofort per Download lieferbar.
This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or ´incarnations´ of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive, This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or ´incarnations´ of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky. K.G.Vijayakrishnan, Central Institute of English Foreign Languages, Hyderabad, India. PDF, 01.01.2007.
This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or ´incarnations´ of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive, This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or ´incarnations´ of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky. K.G.Vijayakrishnan, Central Institute of English Foreign Languages, Hyderabad, India. PDF, 01.01.2007.
2
The Grammar of Carnatic Music (2007)
DE NW EB
ISBN: 9783110198881 bzw. 3110198886, in Deutsch, De Gruyter Oldenbourg, neu, E-Book.
This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or ´incarnations´ of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or ´incarnations´ of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky. K.G.Vijayakrishnan, Central Institute of English Foreign Languages, Hyderabad, India. 01.01.2007, PDF.
3
The Grammar of Carnatic Music
DE NW
ISBN: 9783110198881 bzw. 3110198886, in Deutsch, Mouton de Gruyter, neu.
Lieferung aus: Schweiz, Bei Bestellungen innerhalb der Schweiz berechnen wir Fr. 3.50 Versandkosten. Die voraussichtliche Versanddauer liegt bei 1 bis 2 Werktagen. Sofort per Download lieferbar.
Grammar of Carnatic Music, This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky. K.G.Vijayakrishnan, Central Institute of English Foreign Languages, Hyderabad, India.
Grammar of Carnatic Music, This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky. K.G.Vijayakrishnan, Central Institute of English Foreign Languages, Hyderabad, India.
5
The Grammar of Carnatic Music
DE PB NW
ISBN: 9783110198881 bzw. 3110198886, in Deutsch, Gruyter, Walter de GmbH, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Lade…