Portraits, Portraits - 6 Angebote vergleichen
| Preise | Apr. 17 | Sep. 17 | Juli 20 |
|---|---|---|---|
| Schnitt | € 29,87 | € 36,10 | € 38,71 |
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1
Picasso Portraits
EN NWISBN: 9781855145429 bzw. 1855145421, in Englisch, National Portrait Gallery, neu.
Lieferung aus: Kanada, In Stock, plus shipping.
Books, Picasso Portraits, Picasso's portraits are matched to his fluctuating social circles in this look at the maestro's evolutionFrom the beginning of his career until its end, Pablo Picasso’s prime subject was the human figure, and portraiture remained a favorite genre for the artist. Picasso’s portraiture reflected the full range of his innovative styles--Symbolist, Cubist, Neoclassical, Surrealist, Expressionist. Depicting people in his intimate circle rather than working to commission enabled Picasso to take an expressive, radically experimental approach to making portraits.However extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. He remained in constant dialogue with the art of the past, and his portraits often alluded to canonical masterpieces. Treating favorite Old Masters as indecorously as his intimate friends, he created suites of free “variations” after Velázquez’s “Las Meninas” and Rembrandt’s “The Prodigal Son.”These dizzying stylistic shifts of Picasso’s long career can be traced through their manifestations in his portraits. Picasso Portraits tells this story thematically, with a focus on Picasso’s creative process rather than his biography. Issues addressed in depth in this volume include Picasso’s exploitation of familiar poses and formats, his sources of inspiration among the Old Masters and the relationship between observation, memory and fantasy.The legendary life and career of Pablo Picasso (1881–1973) spanned nearly the entire 20th century and ushered in some of its most significant artistic revolutions. Hard to overestimate in importance or originality, Picasso’s style is perhaps best captured in the words of his friend Paul Éluard: “Picasso paints like God or the devil.”.
Books, Picasso Portraits, Picasso's portraits are matched to his fluctuating social circles in this look at the maestro's evolutionFrom the beginning of his career until its end, Pablo Picasso’s prime subject was the human figure, and portraiture remained a favorite genre for the artist. Picasso’s portraiture reflected the full range of his innovative styles--Symbolist, Cubist, Neoclassical, Surrealist, Expressionist. Depicting people in his intimate circle rather than working to commission enabled Picasso to take an expressive, radically experimental approach to making portraits.However extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. He remained in constant dialogue with the art of the past, and his portraits often alluded to canonical masterpieces. Treating favorite Old Masters as indecorously as his intimate friends, he created suites of free “variations” after Velázquez’s “Las Meninas” and Rembrandt’s “The Prodigal Son.”These dizzying stylistic shifts of Picasso’s long career can be traced through their manifestations in his portraits. Picasso Portraits tells this story thematically, with a focus on Picasso’s creative process rather than his biography. Issues addressed in depth in this volume include Picasso’s exploitation of familiar poses and formats, his sources of inspiration among the Old Masters and the relationship between observation, memory and fantasy.The legendary life and career of Pablo Picasso (1881–1973) spanned nearly the entire 20th century and ushered in some of its most significant artistic revolutions. Hard to overestimate in importance or originality, Picasso’s style is perhaps best captured in the words of his friend Paul Éluard: “Picasso paints like God or the devil.”.
2
Portraits, Portraits (2016)
EN HC NWISBN: 9781855145429 bzw. 1855145421, in Englisch, National Portrait Gallery Publications, gebundenes Buch, neu.
Lieferung aus: Niederlande, 6 - 7 dagen.
bol.com.
From first to last, Picasso's prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. By 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles - symbolist, cubist, neoclassical, surrealist, expressionist. But however extreme his departure from representational conven... From first to last, Picasso's prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. By 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles - symbolist, cubist, neoclassical, surrealist, expressionist. But however extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject.Taal: Engels;Afmetingen: 30x294x242 mm;Gewicht: 1,62 kg;Verschijningsdatum: oktober 2016;Druk: 1;ISBN10: 1855145421;ISBN13: 9781855145429; Engelstalig | Hardcover | 2016.
bol.com.
From first to last, Picasso's prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. By 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles - symbolist, cubist, neoclassical, surrealist, expressionist. But however extreme his departure from representational conven... From first to last, Picasso's prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. By 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles - symbolist, cubist, neoclassical, surrealist, expressionist. But however extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject.Taal: Engels;Afmetingen: 30x294x242 mm;Gewicht: 1,62 kg;Verschijningsdatum: oktober 2016;Druk: 1;ISBN10: 1855145421;ISBN13: 9781855145429; Engelstalig | Hardcover | 2016.
3
Picasso Portraits
EN HC NWISBN: 9781855145429 bzw. 1855145421, in Englisch, National Portrait Gallery Publications, gebundenes Buch, neu.
From first to last, Picasso's prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. By 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles - symbolist, cubist, neoclassical, surrealist, expressionist. But however extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject. Treating favourite Old Masters as indecorously as his intimate friends, he enjoyed caricaturing them and indulging in fantasies about their sex lives that mirrored his own obsession with the interaction of eroticism and creativity. His late suites of free 'variations' after Velazquez's Las Meninas and Rembrandt's The Prodigal Son, both of which involve self-portraiture, allowed him to ruminate on the complex psychological relationship of artist and sitter, and continuities between past and present. When Picasso depicted people in his intimate circle, the nature of his bond with them inevitably influenced his interpretation. The focus of this book is not, however, Picasso's life story but his creative process, and, although following a broadly chronological path, its chapters are structured thematically. Issues addressed in depth include Picasso's exploitation of familiar poses and formats, his sources of inspiration and identification with favourite Old Masters, the role of caricature in his expressive conception of portraiture, the relationship between observation, memory and fantasy, critical differences between his portrayal of men and women, and the motivation behind his defiance of decorum and the extreme transformation of his sitter's appearance.
4
Picasso Portraits (1900)
~EN HC NWISBN: 9781855145429 bzw. 1855145421, vermutlich in Englisch, National Portrait Gallery Publications, gebundenes Buch, neu.
From first to last, Picasso's prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. By 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles - symbolist, cubist, neoclassical, surrealist, expressionist. But however extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject. Treating favourite Old Masters as indecorously as his intimate friends, he enjoyed caricaturing them and indulging in fantasies about their sex lives that mirrored his own obsession with the interaction of eroticism and creativity. His late suites of free `variations' after Velazquez's Las Meninas and Rembrandt's The Prodigal Son, both of which involve self-portraiture, allowed him to ruminate on the complex psychological relationship of artist and sitter, and continuities between past and present. When Picasso depicted people in his intimate circle, the nature of his bond with them inevitably influenced his interpretation. The focus of this book is not, however, Picasso's life story but his creative process, and, although following a broadly chronological path, its chapters are structured thematically. Issues addressed in depth include Picasso's exploitation of familiar poses and formats, his sources of inspiration and identification with favourite Old Masters, the role of caricature in his expressive conception of portraiture, the relationship between observation, memory and fantasy, critical differences between his portrayal of men and women, and the motivation behind his defiance of decorum and the extreme transformation of his sitter's appearance.
5
Portraits (2016)
EN HC USISBN: 9781855145429 bzw. 1855145421, in Englisch, 255 Seiten, Natl Portrait Gallery Pubns, gebundenes Buch, gebraucht.
Neu ab: CDN$ 33.63 (25 Angebote)
Gebraucht ab: CDN$ 50.61 (6 Angebote)
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Von Händler/Antiquariat, Wordery Canada.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Wordery Canada.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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