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100%: Philip Wood: Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Raphael and his School (Corpus Rubenianum Ludwig Burchard) by (2010-02-23) (ISBN: 9782997650161) 1656, Harvey Miller Publishers (2010-02-23), in Französisch, Broschiert.Nur diese Ausgabe anzeigen…
79%: Wood, Jeremy: Copies and Adaptations from Renaissance and later Artists: Italian Masters. Raphael and his School Author (ISBN: 9781905375394) Erstausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
65%: Wood, Jeremy: Rubens - Copies and Adaptations from Renaissance and Later Artists, Italian Artists. 1. Raphael and his School (Two Volumes) (ISBN: 9781905375653) 2010, Harvey Miller Publishers, London and Turnhout, in Englisch, Band: 1448, Broschiert.
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62%: Wood, Jeremy: Copies and Adaptations from Renaissance and Later Artists (Corpus Rubenianum Ludwig Burchard) (ISBN: 9781905375400) 2010, Erstausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
62%: Wood, Jeremy: Corpus Rubenianum Ludwig Burchard: Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Artists Working in Central Italy and Fr (ISBN: 9781905375417) in Englisch, Band: 2, Broschiert.Nur diese Ausgabe anzeigen…
60%: Jeremy Wood: Copies and Adaptations from Renaissance and later Artists: Italian artists. III. Artists working in central Italy and France(Corpus Rubenianum Ludwig Burchard Part XXVI) (Two Volume Set) by (2011-08-16) (ISBN: 9780922808045) 1788, Brepols, in Englisch.Nur diese Ausgabe anzeigen…
59%: Wood, Jeremy: Rubens. Copies and Adaptations from Renaissance and later Artists (ISBN: 9781905375738) 2010, in Englisch, Band: 1443, Broschiert.
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Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Raphael and his School (Corpus Rubenianum Ludwig Burchard) by (2010-02-23)
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Bester Preis: € 434,33 (vom 19.02.2018)1
Rubens - Copies and Adaptations from Renaissance and Later Artists, Italian Artists. 1. Raphael and his School (Two Volumes) (2010)
EN NWISBN: 9781905375653 bzw. 1905375654, Band: 1448, in Englisch, Harvey Miller Publishers, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Shipping costs to: USA.
Von Händler/Antiquariat, Colin Martin Art Books.
London and Turnhout: Harvey Miller Publishers. Two Volumes, Vol. 1.448 pages, 16 colour plates, and other illustrations Hors texte. Vol. 2. 13 pages of text followed by 263 pages of plates, in total 269 pages. (ISBN for Vol 2. 9781905375660. Both Volumes are as New copies in dust jackets.. . New. Hardcovers. 2010.
Von Händler/Antiquariat, Colin Martin Art Books.
London and Turnhout: Harvey Miller Publishers. Two Volumes, Vol. 1.448 pages, 16 colour plates, and other illustrations Hors texte. Vol. 2. 13 pages of text followed by 263 pages of plates, in total 269 pages. (ISBN for Vol 2. 9781905375660. Both Volumes are as New copies in dust jackets.. . New. Hardcovers. 2010.
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Copies and Adaptations from Renaissance and later Artists: Italian Masters. Raphael and his School (2010)
~EN HC NWISBN: 9781905375394 bzw. 1905375395, Band: 717, vermutlich in Englisch, Harvey & Miller Publishers, gebundenes Buch, neu.
Lieferung aus: Italien, Versandkosten nach: CHE.
Von Händler/Antiquariat, Luigi De Bei.
LOndon: Harvey & Miller Publishers, 2010 Harvey Miller Corpus Rubenianum Ludwig Burchard(HMCRLB 26.2.1) J. Wood Copies and Adaptations from Renaissance and later Artists: Italian Masters. Raphael and his School SET 2 vol., 717 p., 295 b/w Ill. + 16 colour Ill., 180 x 265 mm, 2010 ISBN: 978-1-905375-39-4 Languages: English Hardback The publication is available. Retail price: EUR 220,00 This section of the Corpus Rubenianum is concerned with Rubens's remarkable study of Italian sixteenth-century art as shown through his numerous copies and adaptations. Rubens's study of the Cinquecento lasted throughout his life and was not just the focus of his early years in Antwerp when he learned his craft. At that time he used secondary copies as models for pen drawings or as a basis for enlarged painted adaptations such as his famous version in Dresden after Michelangelo's Leda. Rubens's most important full-size painted copies, however, were made as late as 1628-30 when he had travelled to Madrid and London and was in his fifties, a point when many artists would have thought they no longer needed to study. He may have made these copies because he could not buy the originals for his collection, but the act of creating such detailed visual records shows how attentive he was to the art of the past. This process culminated in his large and very free adaptations of the 1630s, now in Stockholm, after Titian's Andrians and Worship of Venus which are among the most famous copies in the history of art. Rubens made relatively few drawings from paintings while in Italy between 1600 and 1608, although some survive after frescoes by Pordenone that he saw in Treviso and there are also a number that record Michelangelo's paintings in the Sistine Chapel in Rome. Most of the catalogue entries, however, discuss the Italian copy drawings that Rubens bought during his travels and brought home to Antwerp. It will be argued that these sheets were taken out and retouched by him throughout his career. In total, this material amounts to one of the largest collections of graphic art assembled by a late Renaissance painter, and as a result it reveals Rubens's sophisticated and complex dialogue with Italian art. Review "Although the catalogue raisonné as on art-historical genre is no longer fashionable ., there could be no better demonstration of its lasting value than the thorough assessment of the art of Rubens found in these volumes." (K. De Clippel, in: The Burlington Magazine, vol. 154, n° 1307, February 2012, p.126) "Die Bände von Belkin und Wood erschliessen auf exemplarische Weise eine Gruppe von Werken, die für das Verständnis von Rubens, seiner Kreativität und seinier Bilderwelt von entscheidender Bedeutung sind. Sie belegen eindrucksvoll, wie im eigentlichen Sinne grundlegend und zugleich inspirierend Ouvrekataloge sein können. Arbeiten wie diese bleiben die unverzichtbare Basis kunsthistorischer Forschung." (C. T. Seifert, in: Sehepunkte, 12 (2012), Nr. 5, 15.05.2012) Size: 180 X265 Mm.
Von Händler/Antiquariat, Luigi De Bei.
LOndon: Harvey & Miller Publishers, 2010 Harvey Miller Corpus Rubenianum Ludwig Burchard(HMCRLB 26.2.1) J. Wood Copies and Adaptations from Renaissance and later Artists: Italian Masters. Raphael and his School SET 2 vol., 717 p., 295 b/w Ill. + 16 colour Ill., 180 x 265 mm, 2010 ISBN: 978-1-905375-39-4 Languages: English Hardback The publication is available. Retail price: EUR 220,00 This section of the Corpus Rubenianum is concerned with Rubens's remarkable study of Italian sixteenth-century art as shown through his numerous copies and adaptations. Rubens's study of the Cinquecento lasted throughout his life and was not just the focus of his early years in Antwerp when he learned his craft. At that time he used secondary copies as models for pen drawings or as a basis for enlarged painted adaptations such as his famous version in Dresden after Michelangelo's Leda. Rubens's most important full-size painted copies, however, were made as late as 1628-30 when he had travelled to Madrid and London and was in his fifties, a point when many artists would have thought they no longer needed to study. He may have made these copies because he could not buy the originals for his collection, but the act of creating such detailed visual records shows how attentive he was to the art of the past. This process culminated in his large and very free adaptations of the 1630s, now in Stockholm, after Titian's Andrians and Worship of Venus which are among the most famous copies in the history of art. Rubens made relatively few drawings from paintings while in Italy between 1600 and 1608, although some survive after frescoes by Pordenone that he saw in Treviso and there are also a number that record Michelangelo's paintings in the Sistine Chapel in Rome. Most of the catalogue entries, however, discuss the Italian copy drawings that Rubens bought during his travels and brought home to Antwerp. It will be argued that these sheets were taken out and retouched by him throughout his career. In total, this material amounts to one of the largest collections of graphic art assembled by a late Renaissance painter, and as a result it reveals Rubens's sophisticated and complex dialogue with Italian art. Review "Although the catalogue raisonné as on art-historical genre is no longer fashionable ., there could be no better demonstration of its lasting value than the thorough assessment of the art of Rubens found in these volumes." (K. De Clippel, in: The Burlington Magazine, vol. 154, n° 1307, February 2012, p.126) "Die Bände von Belkin und Wood erschliessen auf exemplarische Weise eine Gruppe von Werken, die für das Verständnis von Rubens, seiner Kreativität und seinier Bilderwelt von entscheidender Bedeutung sind. Sie belegen eindrucksvoll, wie im eigentlichen Sinne grundlegend und zugleich inspirierend Ouvrekataloge sein können. Arbeiten wie diese bleiben die unverzichtbare Basis kunsthistorischer Forschung." (C. T. Seifert, in: Sehepunkte, 12 (2012), Nr. 5, 15.05.2012) Size: 180 X265 Mm.
3
Rubens - Copies and Adaptations from Renaissance and Later Artists, Italian Artists. 1. Raphael and his School (Two Volumes) (2010)
EN HC NWISBN: 9781905375653 bzw. 1905375654, Band: 1448, in Englisch, Harvey Miller Publishers, London and Turnhout, gebundenes Buch, neu, mit Einband.
Von Händler/Antiquariat, Colin Martin Books [60502], Near Hull, EY, United Kingdom.
Two Volumes, Vol. 1.448 pages, 16 colour plates, and other illustrations Hors texte. Vol. 2. 13 pages of text followed by 263 pages of plates, in total 269 pages. (ISBN for Vol 2. 9781905375660. Both Volumes are as New copies in dust jackets.
Two Volumes, Vol. 1.448 pages, 16 colour plates, and other illustrations Hors texte. Vol. 2. 13 pages of text followed by 263 pages of plates, in total 269 pages. (ISBN for Vol 2. 9781905375660. Both Volumes are as New copies in dust jackets.
4
Copies and Adaptations from Renaissance and later Artists: Italian Masters. Raphael and his School Jeremy Wood Author (1628)
~EN HC NWISBN: 9781905375394 bzw. 1905375395, vermutlich in Englisch, Brepols Publishers, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
This section of the Corpus Rubenianum is concerned with Rubens's remarkable study of Italian sixteenth-century art as shown through his numerous copies and adaptations. Rubens's study of the Cinquecento lasted throughout his life and was not just the focus of his early years in Antwerp when he learned his craft. At that time he used secondary copies as models for pen drawings or as a basis for enlarged painted adaptations such as his famous version in Dresden after Michelangelo's Leda. Rubens's most important full-size painted copies, however, were made as late as 1628-30 when he had travelled to Madrid and London and was in his fifties, a point when many artists would have thought they no longer needed to study. He may have made these copies because he could not buy the originals for his collection, but the act of creating such detailed visual records shows how attentive he was to the art of the past. This process culminated in his large and very free adaptations of the 1630s, now in Stockholm, after Titian's Andrians and Worship of Venus which are among the most famous copies in the history of art. Rubens made relatively few drawings from paintings while in Italy between 1600 and 1608, although some survive after frescoes by Pordenone that he saw in Treviso and there are also a number that record Michelangelo's paintings in the Sistine Chapel in Rome. Most of the catalogue entries, however, discuss the Italian copy drawings that Rubens bought during his travels and brought home to Antwerp. It will be argued that these sheets were taken out and retouched by him throughout his career. In total, this material amounts to one of the largest collections of graphic art assembled by a late Renaissance painter, and as a result it reveals Rubens's sophisticated and complex dialogue with Italian art.
This section of the Corpus Rubenianum is concerned with Rubens's remarkable study of Italian sixteenth-century art as shown through his numerous copies and adaptations. Rubens's study of the Cinquecento lasted throughout his life and was not just the focus of his early years in Antwerp when he learned his craft. At that time he used secondary copies as models for pen drawings or as a basis for enlarged painted adaptations such as his famous version in Dresden after Michelangelo's Leda. Rubens's most important full-size painted copies, however, were made as late as 1628-30 when he had travelled to Madrid and London and was in his fifties, a point when many artists would have thought they no longer needed to study. He may have made these copies because he could not buy the originals for his collection, but the act of creating such detailed visual records shows how attentive he was to the art of the past. This process culminated in his large and very free adaptations of the 1630s, now in Stockholm, after Titian's Andrians and Worship of Venus which are among the most famous copies in the history of art. Rubens made relatively few drawings from paintings while in Italy between 1600 and 1608, although some survive after frescoes by Pordenone that he saw in Treviso and there are also a number that record Michelangelo's paintings in the Sistine Chapel in Rome. Most of the catalogue entries, however, discuss the Italian copy drawings that Rubens bought during his travels and brought home to Antwerp. It will be argued that these sheets were taken out and retouched by him throughout his career. In total, this material amounts to one of the largest collections of graphic art assembled by a late Renaissance painter, and as a result it reveals Rubens's sophisticated and complex dialogue with Italian art.
5
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Copies and adaptations from Renaissance and later artists. Italian artists. I: Raphael and his school [2 volumes, in: Corpus Rubenianum Ludwig Burchard, part XXVI-2] (2010)
~ENISBN: 9781905375394 bzw. 1905375395, Band: 2, vermutlich in Englisch, London/ Turnhout, Harvey Miller (Brepols) 2010.
Lieferung aus: Belgien, Versandkosten nach: DEU.
Von Händler/Antiquariat, De Lezenaar.
London/ Turnhout, Harvey Miller (Brepols) 2010 . Complete in 2 volumes: together 717pp. with 295 bl/w illustrations and 16 colour illustrations, 27cm., hardcovers (editor's cloth), dustwrapper, text in English, fine condition, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens " vol.26-2, ISBN 978-1-905375-39-4, S79986.
Von Händler/Antiquariat, De Lezenaar.
London/ Turnhout, Harvey Miller (Brepols) 2010 . Complete in 2 volumes: together 717pp. with 295 bl/w illustrations and 16 colour illustrations, 27cm., hardcovers (editor's cloth), dustwrapper, text in English, fine condition, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens " vol.26-2, ISBN 978-1-905375-39-4, S79986.
6
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Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Raphael and his School (Corpus Rubenianum Ludwig Burchard) (2010)
~EN HCISBN: 9781905375394 bzw. 1905375395, vermutlich in Englisch, Harvey Miller Publishers, gebundenes Buch.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Ergodebooks.
Harvey Miller Publishers, 2010-02-23. Hardcover. Used:Good.
Von Händler/Antiquariat, Ergodebooks.
Harvey Miller Publishers, 2010-02-23. Hardcover. Used:Good.
7
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Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Raphael and his School (Corpus Rubenianum Ludwig Burchard) (2010)
~EN HC USISBN: 9781905375394 bzw. 1905375395, vermutlich in Englisch, Harvey Miller Publishers, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Ergodebooks.
Harvey Miller Publishers, 2010-02-23. Hardcover. Good.
Von Händler/Antiquariat, Ergodebooks.
Harvey Miller Publishers, 2010-02-23. Hardcover. Good.
8
J: Italian Artists, 2-Volume Set: Raphael and His Scho (Corpus Rubenianum Ludwig Burchard) (2010)
EN HC US FEISBN: 9781905375394 bzw. 1905375395, Band: 2, in Englisch, 717 Seiten, HARVEY MILLER PUBL, gebundenes Buch, gebraucht, Erstausgabe.
Neu ab: 183,53 € (4 Angebote)
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Lieferung aus: Japan, Auf Lager. Versandkostenfrei. Tatsächliche Versandkosten können abweichen.
Von Händler/Antiquariat, Hinoyama#EU.
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Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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J: Italian Artists, 2-Volume Set: Raphael and His Scho (Corpus Rubenianum Ludwig Burchard) (2010)
EN HC NW FEISBN: 9781905375394 bzw. 1905375395, Band: 2, in Englisch, 717 Seiten, HARVEY MILLER PUBL, gebundenes Buch, neu, Erstausgabe.
Neu ab: 188,28 € (5 Angebote)
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Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Raphael and his School (Corpus Rubenianum Ludwig Burchard) by (2010-02-23) (1656)
DE HC NWISBN: 299765016X bzw. 9782997650161, in Deutsch, Harvey Miller Publishers (2010-02-23), gebundenes Buch, neu.
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