The Aesthetics of Shadow, Lighting and Japanese Cinema
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The Aesthetics of Shadow, Lighting and Japanese Cinema (2013)
EN HC NWISBN: 9780822354079 bzw. 0822354071, in Englisch, Duke University Press, gebundenes Buch, neu.
Lieferung aus: Niederlande, Vermoedelijk 4-6 weken.
bol.com.
In this revealing study, Daisuke Miyao explores the aesthetics of shadow in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles... In this revealing study, Daisuke Miyao explores the aesthetics of shadow in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history.Taal: Engels;Afmetingen: 32x248x165 mm;Gewicht: 703,00 gram;Verschijningsdatum: maart 2013;Druk: 1;ISBN10: 0822354071;ISBN13: 9780822354079; Engelstalig | Hardcover | 2013.
bol.com.
In this revealing study, Daisuke Miyao explores the aesthetics of shadow in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles... In this revealing study, Daisuke Miyao explores the aesthetics of shadow in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history.Taal: Engels;Afmetingen: 32x248x165 mm;Gewicht: 703,00 gram;Verschijningsdatum: maart 2013;Druk: 1;ISBN10: 0822354071;ISBN13: 9780822354079; Engelstalig | Hardcover | 2013.
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The Aesthetics of Shadow: Lighting and Japanese Cinema (2013)
EN HC NWISBN: 9780822354079 bzw. 0822354071, in Englisch, Duke University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Versandkosten nach: USA.
Von Händler/Antiquariat, El Pinarillo Books.
Duke University Press, 2013. Book. New. Hardcover. New and in stock.
Von Händler/Antiquariat, El Pinarillo Books.
Duke University Press, 2013. Book. New. Hardcover. New and in stock.
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The Aesthetics of Shadow: Lighting and Japanese Cinema
EN HC NWISBN: 9780822354079 bzw. 0822354071, in Englisch, Duke University Press Books, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
The-Aesthetics-of-Shadow~~Daisuke-Miyao, The Aesthetics of Shadow: Lighting and Japanese Cinema, Hardcover.
The-Aesthetics-of-Shadow~~Daisuke-Miyao, The Aesthetics of Shadow: Lighting and Japanese Cinema, Hardcover.
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The Aesthetics of Shadow Format: Trade Cloth (2013)
EN HC NWISBN: 9780822354079 bzw. 0822354071, in Englisch, Duke University Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, indoo.com, NJ, Avenel, [RE:4].
Hard cover.
Von Händler/Antiquariat, indoo.com, NJ, Avenel, [RE:4].
Hard cover.
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Symbolbild
The Aesthetics of Shadow: Lighting and Japanese Cinema (2013)
EN HC NWISBN: 9780822354079 bzw. 0822354071, in Englisch, Duke University Press Books, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, ExtremelyReliable, TX, Richmond, [RE:4].
Hardcover.
Von Händler/Antiquariat, ExtremelyReliable, TX, Richmond, [RE:4].
Hardcover.
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