Correspondence 1943-1955 - 8 Angebote vergleichen

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
In December 1945 Thomas Mann wrote a famous letter to Adorno in which he formulated the principle of montage adopted in his novel Doctor Faustus. The writer expressly invited the philosopher to consider, with me, how such a work and I mean Leverkhns work could more or less be practically realized. Their close collaboration on questions concerning the character of the fictional composers putatively late works (Adorno produced specific sketches which are included as an appendix to the present volume) effectively laid the basis for a further exchange of letters. The ensuing correspondence between the two men documents a rare encounter of creative tension between literary tradition and aesthetic modernism which would be sustained right up until the novelists death in 1955. In the letters, Thomas Mann openly acknowledged his fascinated reading of Adornos Minima Moralia and commented in detail on the Essay on Wagner, which he was as eager to read as the one in the Book of Revelation consumes a book which tastes as sweet as honey. Adorno in turn offered detailed observations upon and frequently enthusiastic commendations of Manns later writings, such as The Holy Sinner, The Betrayed One and The Confessions of Felix Krull. Their correspondence also touches upon issues of great personal significance, notably the sensitive discussion of the problems of returning from exile to postwar Germany.The letters are extensively annotated and offer the reader detailed notes concerning the writings, events and personalities referred or alluded to in the correspondence.

Lieferung aus: Vereinigtes Königreich Großbritannien und Nordirland, Despatched same working day before 3pm.
In December 1945 Thomas Mann wrote a famous letter to Adorno in which he formulated the principle of montage adopted in his novel Doctor Faustus. The writer expressly invited the philosopher to consider, with me, how such a work and I mean Leverkhns work could more or less be practically realized. Their close collaboration on questions concerning the character of the fictional composers putatively late works (Adorno produced specific sketches which are included as an appendix to the present volume) effectively laid the basis for a further exchange of letters. The ensuing correspondence between the two men documents a rare encounter of creative tension between literary tradition and aesthetic modernism which would be sustained right up until the novelists death in 1955. In the letters, Thomas Mann openly acknowledged his fascinated reading of Adornos Minima Moralia and commented in detail on the Essay on Wagner, which he was as eager to read as the one in the Book of Revelation consumes a book which tastes as sweet as honey. Adorno in turn offered detailed observations upon and frequently enthusiastic commendations of Manns later writings, such as The Holy Sinner, The Betrayed One and The Confessions of Felix Krull. Their correspondence also touches upon issues of great personal significance, notably the sensitive discussion of the problems of returning from exile to postwar Germany.The letters are extensively annotated and offer the reader detailed notes concerning the writings, events and personalities referred or alluded to in the correspondence.

Lieferung aus: Deutschland, Sofort per Download lieferbar.
In December 1945 Thomas Mann wrote a famous letter to Adorno inwhich he formulated the principle of montage adopted in his novelDoctor Faustus. The writer expressly invited the philosopher toconsider, with me, how such a work and I mean Leverkhns work couldmore or less be practically realized. Their close collaboration onquestions concerning the character of the fictional composersputatively late works (Adorno produced specific sketches which areincluded as an appendix to the present volume) effectively laid thebasis for a further exchange of letters. The ensuing correspondence between the two men documents a rareencounter of creative tension between literary tradition andaesthetic modernism which would be sustained right up until thenovelists death in 1955. In the letters, Thomas Mann openlyacknowledged his fascinated reading of Adornos Minima Moralia andcommented in detail on the Essay on Wagner, which he was as eagerto read as the one in the Book of Revelation consumes a book whichtastes as sweet as honey. Adorno in turn offered detailedobservations upon and frequently enthusiastic commendations ofManns later writings, such as The Holy Sinner, The Betrayed One andThe Confessions of Felix Krull. Their correspondence also touchesupon issues of great personal significance, notably the sensitivediscussion of the problems of returning from exile to postwarGermany. The letters are extensively annotated and offer the readerdetailed notes concerning the writings, events and personalitiesreferred or alluded to in the correspondence. PDF, 05.11.2014.

Lieferung aus: Deutschland, Sofort per Download lieferbar.
In December 1945 Thomas Mann wrote a famous letter to Adorno inwhich he formulated the principle of montage adopted in his novelDoctor Faustus. The writer expressly invited the philosopher toconsider, with me, how such a work and I mean Leverkhns work couldmore or less be practically realized. Their close collaboration onquestions concerning the character of the fictional composersputatively late works (Adorno produced specific sketches which areincluded as an appendix to the present volume) effectively laid thebasis for a further exchange of letters. The ensuing correspondence between the two men documents a rareencounter of creative tension between literary tradition andaesthetic modernism which would be sustained right up until thenovelists death in 1955. In the letters, Thomas Mann openlyacknowledged his fascinated reading of Adornos Minima Moralia andcommented in detail on the Essay on Wagner, which he was as eagerto read as the one in the Book of Revelation consumes a book whichtastes as sweet as honey. Adorno in turn offered detailedobservations upon and frequently enthusiastic commendations ofManns later writings, such as The Holy Sinner, The Betrayed One andThe Confessions of Felix Krull. Their correspondence also touchesupon issues of great personal significance, notably the sensitivediscussion of the problems of returning from exile to postwarGermany. The letters are extensively annotated and offer the readerdetailed notes concerning the writings, events and personalitiesreferred or alluded to in the correspondence. PDF, 05.11.2014.

Lieferung aus: Schweiz, Sofort per Download lieferbar.
Correspondence 1943-1955, In December 1945 Thomas Mann wrote a famous letter to Adorno inwhich he formulated the principle of montage adopted in his novelDoctor Faustus. The writer expressly invited the philosopher toconsider, with me, how such a work and I mean Leverkhns work couldmore or less be practically realized. Their close collaboration onquestions concerning the character of the fictional composersputatively late works (Adorno produced specific sketches which areincluded as an appendix to the present volume) effectively laid thebasis for a further exchange of letters. The ensuing correspondence between the two men documents a rareencounter of creative tension between literary tradition andaesthetic modernism which would be sustained right up until thenovelists death in 1955. In the letters, Thomas Mann openlyacknowledged his fascinated reading of Adornos Minima Moralia andcommented in detail on the Essay on Wagner, which he was as eagerto read as the one in the Book of Revelation consumes a book whichtastes as sweet as honey. Adorno in turn offered detailedobservations upon and frequently enthusiastic commendations ofManns later writings, such as The Holy Sinner, The Betrayed One andThe Confessions of Felix Krull. Their correspondence also touchesupon issues of great personal significance, notably the sensitivediscussion of the problems of returning from exile to postwarGermany. The letters are extensively annotated and offer the readerdetailed notes concerning the writings, events and personalitiesreferred or alluded to in the correspondence. PDF, 05.11.2014.

Lieferung aus: Schweiz, Sofort per Download lieferbar.
Correspondence 1943-1955, In December 1945 Thomas Mann wrote a famous letter to Adorno inwhich he formulated the principle of montage adopted in his novelDoctor Faustus. The writer expressly invited the philosopher toconsider, with me, how such a work and I mean Leverkhns work couldmore or less be practically realized. Their close collaboration onquestions concerning the character of the fictional composersputatively late works (Adorno produced specific sketches which areincluded as an appendix to the present volume) effectively laid thebasis for a further exchange of letters. The ensuing correspondence between the two men documents a rareencounter of creative tension between literary tradition andaesthetic modernism which would be sustained right up until thenovelists death in 1955. In the letters, Thomas Mann openlyacknowledged his fascinated reading of Adornos Minima Moralia andcommented in detail on the Essay on Wagner, which he was as eagerto read as the one in the Book of Revelation consumes a book whichtastes as sweet as honey. Adorno in turn offered detailedobservations upon and frequently enthusiastic commendations ofManns later writings, such as The Holy Sinner, The Betrayed One andThe Confessions of Felix Krull. Their correspondence also touchesupon issues of great personal significance, notably the sensitivediscussion of the problems of returning from exile to postwarGermany. The letters are extensively annotated and offer the readerdetailed notes concerning the writings, events and personalitiesreferred or alluded to in the correspondence. PDF, 05.11.2014.

Lieferung aus: Deutschland, Free shipping.
Correspondence 1943-1955: In December 1945 Thomas Mann wrote a famous letter to Adorno inwhich he formulated the principle of montage adopted in his novelDoctor Faustus. The writer expressly invited the philosopher toconsider, with me, how such a work and I mean Leverkhns work couldmore or less be practically realized. Their close collaboration onquestions concerning the character of the fictional composersputatively late works (Adorno produced specific sketches which areincluded as an appendix to the present volume) effectively laid thebasis for a further exchange of letters. The ensuing correspondence between the two men documents a rareencounter of creative tension between literary tradition andaesthetic modernism which would be sustained right up until thenovelists death in 1955. In the letters, Thomas Mann openlyacknowledged his fascinated reading of Adornos Minima Moralia andcommented in detail on the Essay on Wagner, which he was as eagerto read as the one in the Book of Revelation consumes a book whichtastes as sweet as honey. Adorno in turn offered detailedobservations upon and frequently enthusiastic commendations ofManns later writings, such as The Holy Sinner, The Betrayed One andThe Confessions of Felix Krull. Their correspondence also touchesupon issues of great personal significance, notably the sensitivediscussion of the problems of returning from exile to postwarGermany. The letters are extensively annotated and offer the readerdetailed notes concerning the writings, events and personalitiesreferred or alluded to in the correspondence. Englisch, Ebook.