A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me
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1
A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me (1934)
~EN NW
ISBN: 9780299183806 bzw. 0299183807, vermutlich in Englisch, University of Wisconsin Press, Vereinigte Staaten von Amerika, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music. Once called by the New York Times "a violinist''s violinist and a musician''s musician," Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York''s Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York''s Town Hall. During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch''s 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklós Rózsa, Max Steiner, Franz Waxman, and Victor Young. Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers. The book includes a music CD with Kaufman’s performances of Vivaldi’s Concerto 2 of op. 9, Havanaise by Camille Saint Saëns, Nocturne for Violin and Piano by Aaron Copland, Much Ado about Nothing Suite for violin and piano by Erich Wolfgang Korngold, and Smoke Gets in Your Eyes by Jerome Kern, among other favorites.
This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music. Once called by the New York Times "a violinist''s violinist and a musician''s musician," Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York''s Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York''s Town Hall. During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch''s 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklós Rózsa, Max Steiner, Franz Waxman, and Victor Young. Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers. The book includes a music CD with Kaufman’s performances of Vivaldi’s Concerto 2 of op. 9, Havanaise by Camille Saint Saëns, Nocturne for Violin and Piano by Aaron Copland, Much Ado about Nothing Suite for violin and piano by Erich Wolfgang Korngold, and Smoke Gets in Your Eyes by Jerome Kern, among other favorites.
2
A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me
EN HC NW
ISBN: 9780299183806 bzw. 0299183807, in Englisch, UNIV OF WISCONSIN PR, gebundenes Buch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
buecher.de GmbH & Co. KG, [1].
During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film "The Merry Widow", Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including "Casablanca", "Gone With The Wind", "The Diary of Anne Frank", "Wuthering Heights", "The Grapes of Wrath" and "Spartacus". He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklos Rozsa, Max Steiner, Franz Waxman and Victor Young.Versandfertig in über 4 Wochen, Hardcover.
buecher.de GmbH & Co. KG, [1].
During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film "The Merry Widow", Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including "Casablanca", "Gone With The Wind", "The Diary of Anne Frank", "Wuthering Heights", "The Grapes of Wrath" and "Spartacus". He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklos Rozsa, Max Steiner, Franz Waxman and Victor Young.Versandfertig in über 4 Wochen, Hardcover.
3
A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me (2003)
EN HC US FE
ISBN: 9780299183806 bzw. 0299183807, in Englisch, 488 Seiten, University of Wisconsin Press, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, eliabooks.
This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music. Once called by the New York Times "a violinist's violinist and a musician's musician," Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York's Town Hall. During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklós Rózsa, Max Steiner, Franz Waxman, and Victor Young. Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers. The book includes a music CD with Kaufman’s performances of Vivaldi’s Concerto 2 of op. 9, Havanaise by Camille Saint Saëns, Nocturne for Violin and Piano by Aaron Copland, Much Ado about Nothing Suite for violin and piano by Erich Wolfgang Korngold, and Smoke Gets in Your Eyes by Jerome Kern, among other favorites., Hardcover, Ausgabe: 1, Label: University of Wisconsin Press, University of Wisconsin Press, Produktgruppe: Book, Publiziert: 2003-06-30, Studio: University of Wisconsin Press, Verkaufsrang: 1095661.
Von Händler/Antiquariat, eliabooks.
This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music. Once called by the New York Times "a violinist's violinist and a musician's musician," Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York's Town Hall. During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklós Rózsa, Max Steiner, Franz Waxman, and Victor Young. Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers. The book includes a music CD with Kaufman’s performances of Vivaldi’s Concerto 2 of op. 9, Havanaise by Camille Saint Saëns, Nocturne for Violin and Piano by Aaron Copland, Much Ado about Nothing Suite for violin and piano by Erich Wolfgang Korngold, and Smoke Gets in Your Eyes by Jerome Kern, among other favorites., Hardcover, Ausgabe: 1, Label: University of Wisconsin Press, University of Wisconsin Press, Produktgruppe: Book, Publiziert: 2003-06-30, Studio: University of Wisconsin Press, Verkaufsrang: 1095661.
4
A Fiddler's Tale
EN US
ISBN: 9780299183806 bzw. 0299183807, in Englisch, Univ of Wisconsin Pr, University of Wisconsin Press, University of Wisconsin Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, in-stock.
This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music. Once called by the New York Times a violinist's violinist and a musician's musician, Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York's Town Hall. During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklos Rozsa, Max Steiner, Franz Waxman, and Victor Young. Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers.
This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music. Once called by the New York Times a violinist's violinist and a musician's musician, Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York's Town Hall. During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklos Rozsa, Max Steiner, Franz Waxman, and Victor Young. Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers.
5
A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me
EN
ISBN: 9780299183806 bzw. 0299183807, in Englisch, University of Wisconsin Press.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me Kaufman, Louis / Kaufman, Annette / Svejda, Jim, This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music. Once called by the New York Times "a violinist's violinist and a musician's musician, " Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York's Town Hall. During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklos Rozsa, Max Steiner, Franz Waxman, and Victor Young. Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers.
A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me Kaufman, Louis / Kaufman, Annette / Svejda, Jim, This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music. Once called by the New York Times "a violinist's violinist and a musician's musician, " Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York's Town Hall. During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Miklos Rozsa, Max Steiner, Franz Waxman, and Victor Young. Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers.
6
A Fiddler's Tale: How Hollywood and Vivaldi Discovered Me
EN US
ISBN: 0299183807 bzw. 9780299183806, in Englisch, University of Wisconsin Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
artists architects and photographers,arts and literature,arts music and photography,biographies,classical,composers and musicians,home and garden,humor and entertainment,memoirs,music, This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music.�� �Once called by the New York Times "a violinist's violinist and a musician's musician," Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York's Town Hall.�� �During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Mikl�s R�zsa, Max Steiner, Franz Waxman, and Victor Young. �� ��� �Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers.�� �The book inc.
artists architects and photographers,arts and literature,arts music and photography,biographies,classical,composers and musicians,home and garden,humor and entertainment,memoirs,music, This fascinating memoir, written by one of the greatest American violinists of the twentieth century, recounts an extraordinary life in music.�� �Once called by the New York Times "a violinist's violinist and a musician's musician," Louis Kaufman was born in 1905 in Portland, Oregon. He studied violin with Franz Kneisl at New York's Institute of Musical Art. He was the original violist of the Musical Art Quartet (1926-1933) and won the Naumburg Award in 1928, the year of his American solo recital debut in New York's Town Hall.�� �During these early years, he played chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist, among others. After performing the violin solos for Ernst Lubitsch's 1934 film The Merry Widow, Kaufman became the most sought after violin soloist in Hollywood, playing in some 500 films, including Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. He worked closely with Robert Russell Bennett, Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Mikl�s R�zsa, Max Steiner, Franz Waxman, and Victor Young. �� ��� �Extraordinary as it seems today, Kaufman was largely responsible for bringing the once-forgotten music of Antonio Vivaldi to its current popularity worldwide among both classical musicians and the general population of music lovers.�� �The book inc.
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