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Movement Training for the Modern Actor
EN NWISBN: 9780203883549 bzw. 0203883543, in Englisch, Taylor & Francis, Vereinigtes Königreich Großbritannien und Nordirland, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten, Sofort per Download lieferbar.
Movement Training for the Modern Actor, This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of movement training over the last one hundred and fifty years, it offers a conceptual framework for the understanding of key approaches to the training of the professional actor's body. The volume looks in detail at the influence of the leading figures in movement training - Laban, Alexander, Copeau and Lecoq - on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school by examining the ways in which movement training shapes the student as a professional actor, as well as considering the extent to which it offers a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of 'how to' books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor's body.
Movement Training for the Modern Actor, This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of movement training over the last one hundred and fifty years, it offers a conceptual framework for the understanding of key approaches to the training of the professional actor's body. The volume looks in detail at the influence of the leading figures in movement training - Laban, Alexander, Copeau and Lecoq - on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school by examining the ways in which movement training shapes the student as a professional actor, as well as considering the extent to which it offers a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of 'how to' books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor's body.
2
Movement Training for the Modern Actor
EN NWISBN: 9780203883549 bzw. 0203883543, in Englisch, Taylor & Francis, Vereinigtes Königreich Großbritannien und Nordirland, neu.
Lieferung aus: Schweiz, zzgl. Versandkosten, Sofort per Download lieferbar.
Movement Training for the Modern Actor, This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of movement training over the last one hundred and fifty years, it offers a conceptual framework for the understanding of key approaches to the training of the professional actor's body. The volume looks in detail at the influence of the leading figures in movement training - Laban, Alexander, Copeau and Lecoq - on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school by examining the ways in which movement training shapes the student as a professional actor, as well as considering the extent to which it offers a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of 'how to' books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor's body.
Movement Training for the Modern Actor, This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of movement training over the last one hundred and fifty years, it offers a conceptual framework for the understanding of key approaches to the training of the professional actor's body. The volume looks in detail at the influence of the leading figures in movement training - Laban, Alexander, Copeau and Lecoq - on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school by examining the ways in which movement training shapes the student as a professional actor, as well as considering the extent to which it offers a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of 'how to' books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor's body.
3
Movement Training for the Modern Actor
EN NW EB DLISBN: 9780203883549 bzw. 0203883543, in Englisch, Taylor & Francis, Taylor & Francis, Taylor & Francis, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25, in-stock.
This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the 'neutral' body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training - Laban, Alexander, Copeau and Lecoq - on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of 'how to' books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor's body.
This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the 'neutral' body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training - Laban, Alexander, Copeau and Lecoq - on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of 'how to' books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor's body.
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