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Go-Go Live, The Musical Life and Death of a Chocolate City
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Bester Preis: € 17,41 (vom 21.06.2016)Go-Go Live (2012)
ISBN: 9780822395201 bzw. 0822395207, in Englisch, Duke University Press Books, Duke University Press Books, Duke University Press Books, neu, E-Book, elektronischer Download.
Go-go is the conga drum-inflected black popular music that emerged in Washington, D.C, during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area.
Go-Go Live, The Musical Life and Death of a Chocolate City (2012)
ISBN: 9780822352006 bzw. 0822352001, in Englisch, Duke University Press, gebundenes Buch, neu.
bol.com.
Go-go is the conga drum-inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the Godfather of Go-Go, created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets ... Go-go is the conga drum-inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the Godfather of Go-Go, created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area.Soort: Met illustraties;Taal: Engels;Afmetingen: 0x236x163 mm;Gewicht: 499,00 gram;Verschijningsdatum: mei 2012;ISBN10: 0822352001;ISBN13: 9780822352006; Engelstalig | Hardcover | 2012.
Go-Go Live, The Musical Life and Death of a Chocolate City (2012)
ISBN: 9780822395201 bzw. 0822395207, in Englisch, Duke University Press, neu, E-Book.
bol.com.
Go-go is the conga drum-inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the Godfather of Go-Go, created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold ticket... Go-go is the conga drum-inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the Godfather of Go-Go, created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area. Productinformatie:Soort: Met illustraties;Taal: Engels;Formaat: ePub met kopieerbeveiliging (DRM) van Adobe;Kopieerrechten: Het kopiëren van (delen van) de pagina's is niet toegestaan ;Geschikt voor: Alle e-readers te koop bij bol.com (of compatible met Adobe DRM). Telefoons/tablets met Google Android (1.6 of hoger) voorzien van bol.com boekenbol app. PC en Mac met Adobe reader software;ISBN10: 0822395207;ISBN13: 9780822395201;Product breedte: 165 mm;Product hoogte: 19 mm;Product lengte: 241 mm; Engels | Ebook | 2012.
Go-Go Live
ISBN: 0822352117 bzw. 9780822352112, in Englisch, Duke University Press Books, gebraucht.
african-american studies,arts music and photography,home and garden,music,musical genres,politics and social sciences,popular culture,social sciences,sociology,soul, Go-Go Live: The Musical Life and Death of a Chocolate City, Go-go is the conga drum-inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks.Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's liv.
Go-Go Live: The Musical Life and Death of a Chocolate City
ISBN: 9780822352112 bzw. 0822352117, in Englisch, Duke University Press, Taschenbuch, gebraucht.
9780822352112,0822352117,go-go,live,musical,life,death,chocolate,city,natalie,hopkinson, A hand inspected Used copy of "Go-Go Live: The Musical Life and Death of a Chocolate City" by Natalie Hopkinson. Ships directly from Textbooks.com, Paperback, Shipping to USA only!
Go-Go Live: The Musical Life and Death of a Chocolate City
ISBN: 9780822352112 bzw. 0822352117, in Englisch, Duke University Press, Taschenbuch, gebraucht.
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Go-Go Live: The Musical Life and Death of a Chocolate City
ISBN: 9780822352006 bzw. 0822352001, in Englisch, Duke University Press Books, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Books Express.
Duke University Press Books. Hardcover. Good. We ship International with Tracking Number! May not contain Access Codes or Supplements. Buy with confidence, excellent customer service! j.
Go-Go Live: The Musical Life and Death of a Chocolate City (2012)
ISBN: 9780822352006 bzw. 0822352001, in Englisch, Duke University Press Books, gebundenes Buch, gebraucht.
Von Händler/Antiquariat, Ergodebooks.
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